Culture

Only Rastafari Free the people

Jah free the people over the hills and valleys too. Through a mystical communication we come to each other and we acquire knowledge and strength. Only ignorance and indifference separate us. From Babylon times to now in the new Babylon free people's progress has been held back by these same forces of darkness and terror.

 

Babylon never unite. It seek to divide all peoples from each other so that the heads of this and that can profit from the works and dreams of Jah People. All of these same forces bring fear and doubt among the Idren. They focus on them selves instead of seeking the higher knowledge that exists out side of the self but is born of Jah Sprit which is in us all.

This perfect self that is driven by Jah Sprit can guide us through all the hills and valleys and the many rivers we have to cross in life.

 

Today take some time out to meditate on the many mercies you have received and the many blessings that have been abundantly given to you. Use this consciousness to imagine how you are going to break your life out of the chains of Babylon that in circle us all now. We have to become self sufficient soldiers in Jah Army if we are to survive the fire that is to come.

 

Babylon is on the precipice of a great fall. Chant it down for the fall has begun. Word Sound Power

 

 

 

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A truely sweet man

RIP Sugar Minott

Jamaican reggae singer Sugar Minott began his music career in 1969 by joining The African Brothers. In the start of 1970s his band released many singles. Other band member were Derrick Howard and Tony Tuff and the released these singles on their own Ital label and Micron. In 1974, his band worked for producer Rupie Edwards and recorded "Mysterious Nature". After that for studio one, they recorded "No Cup No Broke" and it was done shortly before their separation. After band split Minott joined producer Clement "Coxsone" Dodd. He started his work as a guitarist and singer there and later he recorded his singles. He was so much creative  and had abilities to write new songs according to latest rhythms. His songs proved popular and sometime gained more fame then the original one.

Minott gained fame after releasing a number of hits including Jah Jah Children, Vanity, Mr. DC and many other songs. LP Live Loving opened the doors of success for him and after that his second album Showcase also rocked the music world. In the 1980s he released his third album Ghetto-ology which was followed by "Hard Time Pressure" these music hit made him biggest star in Jamaica and UK.

His unique and superb work received positive reviews and he started touring across the globe. Till now he has released several singles and more than 60 albums. For the "Exit Music (For a Film)" Minott provided guest vocals and he also appeared on Easy Stars label’s Radiodread. Sugar Minott is also a sound-system operator and producer.
 

 

Reggae Books

 

   

Introduction to the Rastafari Phenomenon By Nathaniel Samuel Murrell

Introduction to the Rastafari Phenomenon
By Nathaniel Samuel Murrell


Seldom has such a relatively small cultural phenomenon as Rastafari attracted so much attention from young people, the media, and scholars in the fields of religion, anthropology, politics, and sociology. The signature long, natty dreads on the heads of Rastafarians, who fearlessly chant down Babylon (Western political and economic domination and cultural imperialism) with the help of reggae music, make Rastafari a highly visible movement and "one of the most powerful cultural forces among youths in Jamaica" and in countries around the world where one least expects to find elements of Afro-Caribbean culture. Between the 1930s and the 1950s, few people bothered to study the significance of the political and ideological concepts in Rastafarian culture. Even Jamaicans who may have understood the philosophy of the movement regarded Rastafari as another passing fad, which would die a natural death once the novelty wore off. Former Rastafarian and practicing psychologist Leahcim Tefani Semaj noted that during this phase of the movement, the dominant public opinion toward the Rastafarians was "The damn Rasta dem, wey de Rasta dem want, we just put dem in a damn boat and put dem out in the sea and sink the boat-say dem want go Africa!"
 
Prior to the 1970s, images of the unsanitary-looking, marijuana-smoking "Natty Dread" with unkempt dreadlocks, often controlling crime-infested streets of Kingston, New York City, or London were the most common perceptions of Rastafarian culture. These stereotypes still persist today among some people in the Caribbean, the United States, and Great Britain. Since the early 1970s, however, Rastafari (the movement's self-styled name) has been recognized not only as one of the most popular Afro-Caribbean religions of the late twentieth century, gaining even more popularity than Voodoo, but also as one of the leading cultural trends in the world; as such, it demands attention from those who study the religions of people who live at the economic and political margins of Western society. A June 1997 estimate puts the number of practicing Rastafarians worldwide at one million with more than twice that number of sympathizers and many million more reggae fans. Given its humble beginnings and the unfriendly climate in which Rastafari was born, none of its founders could have dreamed of such international exposure and acceptance.

What is it about this movement-developing in the slums of West Kingston, Jamaica- that makes it so appealing to people of very different nationalities, ethnic backgrounds, socioeconomic standings, and academic interests? Rastafari has invited myriad questions in popular culture and the academy, especially as part of the recent surge of interest in this once "insignificant" twentieth-century phenomenon. Among the issues addressed herein are the basic doctrinal beliefs of Rastafarians and how they differ from Christian beliefs; why Rastafarians are so hostile to Christianity but so dependent on Christian traditions in developing their ideology, teachings, and cultic practices; whether a relationship exists between Rastafari and the Ethiopian Orthodox Church, and how African Rastafari is; what inspired Rastas in the first place to make Haile Selassie such a towering figure and deity in the movement, and whether his divinity and kingship are still central to Rastafarian thought; what the role of women is in this overtly patriarchal and "chauvinist" movement; whether the Rastafarians are a religious group or a political organization, dopers supporting (or running) drug cartels under the guise of religion or authentic religious devotees; whether Rastas are anti-white prophets, preaching a doctrine of reverse racism and hate in society, or social critics; and what it means for Rastas to "chant down Babylon," and who or what Babylon is.

Read more: Introduction to the Rastafari Phenomenon By Nathaniel Samuel Murrell

 

What does the word Selah mean?

What does the word Selah mean? There has been much conjecture and speculation by some theologians, and due in no small part to this speculation, Christians are frequently confused as to the true meaning of this word. But having been told everything from "the original Hebrew has been lost," to, "Jewish scholars agree it means forever," it is very easy to understand their confusion. In addition, many are assured that because this word appears only in the psalms and a poetic section of Habakkuk (which is not true), they are justified in "assuming" that it is just a musical term indicating an interlude. I have even read that Selah is from an Aramaic word, and it really means worship. Still others claim it means to "lift up." All of which serves not to enlighten the Church, but to confuse the issue even more.

With all of these "experts" making such contradictory statements, one tends to wonder, "can we even really know what Selah means?" The answer to this question I believe is yes. And the answer really shouldn't be subjective or left to conjecture. Because there is much we can learn about this word from the original Hebrew in which it is written, from allowing the Bible to be its own dictionary, and from comparing scripture with scripture and allowing God to be His own interpreter. All of these things can give us a solid illustration of this word's true meaning.

Selah, [celah], is from the primary Hebrew root word [calah] which literally means 'to hang,' and by implication to measure (weigh). This is readily understood because in Biblical history, money, food and other valuables were 'weighed' by hanging or suspending them on a type of balance (the equivalent of our measuring scale) to determine their value. We find an example of this word [calah] as it is literally translated 'valued,' in the book of Job, indicating that which is measured.

Read more: What does the word Selah mean?

   

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