Written by The Resista
RIP Sugar Minott
Jamaican reggae singer Sugar Minott began his music career in 1969 by joining The African Brothers. In the start of 1970s his band released many singles. Other band member were Derrick Howard and Tony Tuff and the released these singles on their own Ital label and Micron. In 1974, his band worked for producer Rupie Edwards and recorded "Mysterious Nature". After that for studio one, they recorded "No Cup No Broke" and it was done shortly before their separation. After band split Minott joined producer Clement "Coxsone" Dodd. He started his work as a guitarist and singer there and later he recorded his singles. He was so much creative and had abilities to write new songs according to latest rhythms. His songs proved popular and sometime gained more fame then the original one.
Minott gained fame after releasing a number of hits including Jah Jah Children, Vanity, Mr. DC and many other songs. LP Live Loving opened the doors of success for him and after that his second album Showcase also rocked the music world. In the 1980s he released his third album Ghetto-ology which was followed by "Hard Time Pressure" these music hit made him biggest star in Jamaica and UK.
His unique and superb work received positive reviews and he started touring across the globe. Till now he has released several singles and more than 60 albums. For the "Exit Music (For a Film)" Minott provided guest vocals and he also appeared on Easy Stars label’s Radiodread. Sugar Minott is also a sound-system operator and producer.




natural death once the novelty wore off. Former Rastafarian and practicing psychologist Leahcim Tefani Semaj noted that during this phase of the movement, the dominant public opinion toward the Rastafarians was "The damn Rasta dem, wey de Rasta dem want, we just put dem in a damn boat and put dem out in the sea and sink the boat-say dem want go Africa!"
means forever," it is very easy to understand their confusion. In addition, many are assured that because this word appears only in the psalms and a poetic section of Habakkuk (which is not true), they are justified in "assuming" that it is just a musical term indicating an interlude. I have even read that Selah is from an Aramaic word, and it really means worship. Still others claim it means to "lift up." All of which serves not to enlighten the Church, but to confuse the issue even more.